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The only band Lanky Band to have played at London's world famous..
Marquee Club.
Friday 11 December 1964
DAVID JOHN
& THE MOOD
The Falcons: Sound Five: Barbed Wire Soup:
*Update by Clive Kelly Preston

David John: Lead Vocal. Fred Mal Isherwood: Drums.
John Brierley: Bass Guitar - Vocal. Peter Atkinson: Rhythm Guitar - Vocal.
Peter Illingworth: Lead guitar - Vocal.

Cavern Wall of Fame Mathew Street Liverpool
Pic by Peter Illingworth
*Records released by both Decca and Parlophone - the latter a Joe Meek production - made little impact chart-wise but are part of a collection of well made 45 singles of their time. *
1963: The Original: 'David John & The Mood'.
David John Smith: Vocal. Peter Illingworth: Guitar-Vocal. Robb Deka: Piano-Vocal. Rick Greenwood: Six-String Bass. Fred Isherwood: Drums.
After six months -
Rick was replaced by John Brierly on Bass, and Robb by Pete Atkinson on Guitar.
Robb Shenton: October 2010
*"A leading singer of the regular group at my Catacombs Club in Preston was David John & The Mood. David's nickname is Miffy. The breaking-of-ice or putting it another way - the gaining of acceptance in strange new cities and their music venues always caused havoc to start with. I was even reminded quite recently by Miffy of the time when I was on the door trying my best to deter a nasty gang of drunken skinheads from getting in. At that time I had a police-trained Alsatian dog called Rex. Well this gang were not at all deterred by his barking or my threats of setting him free, for they retaliated by throwing a tail broken cat at him, which led to his chase of the cat, leaving me to try to fight off the gang alone. It was then that Miffy answered my screams for help by opening the club door just enough to pass me my requested hammer and saw. Now armed to the teeth so to speak, I evened up the odds by slashing and battering the legs of my attacker's sending them limping off into the night.
Miffy became quite famous in the music biz and even aspired to being in The Rolling Stones back-up group at many northern venues including my CubiKlub in Rochdale where
DJ & TM filled in for their non-appearance. That was a disastrous night. The 'Stones' let me down badly when only Mick Jagger and Brian Jones arrived to do their £350 contracted stuff. The rest of then didn't show up at all. All tickets were paid for in advance of the show and I had to pay it all back. That's when I went broke and went off to London. Incidentally I'm still waiting for their return booking as promised by Mick to play that gig at a later date. Read about it in Bill Wyman's book 'Stone Alone'."
Clive Kelly: March 2011 |
THE VAQUEROS
The Bachelor Boys
Whiston
*New from Johnny Kearns: See below.

Lally Stott: Vocal - Guitar. John Watkinson: Rythm Guitar. Gary Roberts: Lead Guitar.
John Kearns: Drums. Alan Liptrot: Bass Guitar - Wigan.
Roadie: Malc' Brown
Lally Stott wrote the number 1 chart topper "Chirpy-Chirpy Cheep-Cheep".
http://youtu.be/GMNADUgGfVg
He wrote the tune for Scottish band Middle Of The Road in the UK in 1971. Stott's own version was a hit in Italy, went to No 1 in Australia for one week and charted at No 92 on the U.S. Billboard Hot 100. Harold 'Lally' Stott was killed in an accident in 1977 while riding a Harley Davidson which he allegedly purchased using profits from the song.
(Source: Wikipedia)
"I saw them play a few times at the Old Hall pub near Wigan Cemetary in the Lower Ince area where they played several times a week. They played the Lennon/McCarney song 'Michelle' and made a superb job of it. I remember the drummer blowing me away he was that good.
"The Vaqueros were involved in the-now-cult-film; 'Gonks Go Beat' with Lulu & The Luvvers and Mike Hurst & The Trekkers. I took a girl friend to see it at the Palace Cinema in Wigan.. It was possibly the worst film I have ever seen.. but! There is a sequence in it which involved around fifty pro' drummer's playing the same drum solo. John Kearns was one of them. Tremendous stuff.. However, I never saw the 'girl friend' again."
Bill Hart: June 2010
"The Vaqueros were great guys, each one a character, very like the early Beatles, bursting with zany humour and scouse wit."
Ken Eden: July 2010
*"I was a mate and driver for The Vaqueros or The Bachelor Boys as they were then back in the sixties. I lived in Whiston near Liverpool but moved to Hindley, Wigan in 1959.
I met my mates again in about 1962/1963 at the Old Hall Hotel in Wigan. My dad had a small fleet of vans so I was able to become their driver and roadie for them. They were a great group and full of talent.
Lally Stott didn't live on the same planet as the rest of us, but never-the-less a great mate and much missed. John kearns was the best drummer that ever came out of Merseyside. Johnny Wok' was still in the Army at the time. The Military Police would go to his home to take him back to Germany. They would knock on his door then step back and ask him to come with them. He wouldn't go with them and as John was a big lad they never tried to force him. In the end they got the Padre to visit him as they knew he was safe. John eventually did go back to Army Camp but a week or so later walked through the doors of the Old Hall Hotel. He got a lift home on an American Airforce plane and also got a military discharge after that. Gary was very sincere about his music and he was one of the best guitarist I've ever heard. Allan came from Wigan and we called him 'Little Beatle' for the way he looked like them.
This was one of the best times of my life but I had I living to make and my lovely Doreen to marry. We both miss the lads and would love to meet up with them again. The last time I saw Lal' and John Wok' was when Lal' was at his mothers in 1973 and John was playing at the Horseshoe pub in Whiston. I havent seen John Kearns, Gary Roberts or Allan since and would love to meet up with them all over again."
Malc' Brown: January 2011
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*“We started in 1962 as The Bachelor Boys. Lally Stott was on lead/vocals, Ray Jump (a guy from Whiston) on rhythm, John Helsby on bass (a guy from Rainhill) and myself. We played at school dances, etc.
I guess our biggest gig at that time was appearing at The Cavern with
Wayne Fontana & The Mindbenders, Freddy Star & The Midnighters and of course The Beatles were the last band to go on. We all squeezed into this little dressing room at the side of the stage with amps piled up to the ceiling. I remember The Beatles playing their first hit, Love Me Do. It may have been the first time Ringo had appeared with them at The Cavern 'cos all the girls were screaming for Pete Best. I remember Lennon shouting into the mike that ‘Ringo is now our drummer!.’
Anyway, we made our way to the Wigan Scene. Ray Jump dropped out of the band and we recruited Gary Roberts on rhythm. When we started playing The Old Hall Hotel John Helsby quit so Alan Liptrot stepped in on bass. We had plenty of work, playing the Old Hall seven nights per week plus Sunday afternoon at a club in Wigan. Periodically we took time away to play one nighters, such as at The Wigan Emp’ with Little Richard, or a week long gig at The Garrick Club in Leigh with Cleo Lane etc. but we always came back to the Old Hall.
Then William Leyland of L. E’ Agencyasked to manage us. He organized our appearance in the film ‘Gonks Go Beat‘. However, the director of the movie, Robert Hartford Davis changed our name from The Bachelor Boys to The Vaqueros. Hence the name. Davis also put us on TV, BBC2 Beat Room where we appeared live, with The Rockin Berries, Tammy St. John, Screaming Lord Sutch and The Hollies. Lally sung a Little Richard song and I performed a drum solo.
Anyhow, months passed and after a disagreement with Lally and a meeting with Gary and Alan we fired him. After Lally left Johnny Wocky stepped in as lead vocalist. Later Lally went on to Italy and helped write tunes for Middle Of The Road, including Chirpy, Chirpy Cheep Cheep. We carried on until Alan decided to quit and then we recruited Mike 'Mick' Gannon on bass. When The Vaqueros split up in 1966, I believe Gary went on to Italy and joined Lally where he helped write the Samson and Delilah song.
I actually left England, bound for Germany in May of 1967 with a singer from Wigan named Roy Robinson, a long haired bearded hippie looking chap called Jimmy Mac on lead guitar and Kenny Fillingham who agreed to play bass. The first week in Germany, while we were rehearsing in a cellar in a town called Ingelheim, we met up with a bass player from London, Jimmy Eichhorn and his singing ‘broad’ called Liz. They were working with a German band and asked to join us. Well, as they had all the work lined up, we agreed, plus Kenny got rid of his bass and shared lead with Jimmy Mac. We gigged a month at a time in various clubs all over Germany until December 1967.
The lads wanted to return to England but I decided to stay and joined a German band called Sylvia’s Showband. We played for just over a year then I returned to England and hooked up with Gary Roberts, Johnny Wock - two old Vaqueros and Colin Edwardson on bass. We stayed together for about a year before I received a letter asking me to return to the Sylvia’s Showband in Germany. From the end of 1969 through 1972 we were an acclaimed band and were booked solid with 26 shows a month, another location for each show, for 18 months non-stop. The money was great but it nearly killed me.
One good thing came from it all because my wife was also with the band and we were married in 1973.
I'm not drumming anymore. I quit professionally on 1 December in 1972 and started a ‘normal’ life working for the U.S. Government. My wife and I had bought a new house so I continued playing just weekends to furnish the whole place. I eventually sold my skins in 1978.”
Johnny Kearns: February 2011
With special thanks to Ken Eden |
If you have any info' please get in touch with bill@lankybeat.com
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MIKE HURST
& THE TREKKERS
Ray Lewis & The Trekkers: The Trekkershow
*CRASH! Below.. Preston
1968 in The Pink Elephant Club Aspull Wigan

Dave Hall: Lead Guitar. Mike Hurst: Lead Vocal.
Bill Hart: Drums. Paul Nichol: Bass Guitar.
Changing their name to The Trekkershow in 1968, Bill Hart left the Shyms and joined them on drums replacing stickman Dave. They were now headed for the night-club cabaret circuit after a mega-successful early to mid 60's playing full-on rock 'n roll to rapturous Lankyland audiences. Time's were changing rapidly in the R 'n R business as it reached the end of the incredible 1960's era. Many top bands moved on and into new forms of musical group entertainment which brought TV fame to the likes of The Grumbleweeds, The Black Abbotts and The Rocking Berries.
Extremely popular with take's on Elvis Presley from Mike, along with the band boasting full-on vocal harmony, they showed off their many talents to perfection by covering rock classics like Amen Corner's 'Bend Me-Shape Me' and The Boxtops 'The Letter'. Dave played classic Jimi Hendrix guitar on Purple Haze whilst the boys softer side came through by handling polished vocals on Gene Pitney's 'I'm Gonna Be Strong' with somewhat amazing ease.

Gideons Ways
'Into the cabaret scene they went, full of confidence.'
Into the cabaret scene they went, full of confidence. A short tour to the South Wales Vallay's at the time of the twin national tragedies of foot & mouth cattle disease and the Aberfan spoil-heap incident in 1969 gave them time re-style their old act. Undaunted by these local disasters and professional to the the hilt, the band members were billeted out for the week-long tour, to different local families for hospitality, good food and safe accomodation. During the long dark rainy days they spent their time rehearing, planning new idea's and practicing intricate comedy routines in order to trial them in front them to their adoring Welsh fans at the evening show's in the packed-out social clubs.
'The band were in for an unexpected and massive internal shock.'
Back to Lankyland they came, but unfortuately the band were in for an unexpected and massive internal shock. Mike decided he would leave the band to concentrate on his religeous studies as a Jehova's Witness. Bill also believed it was right too that he would leave also purely for personal reasons and move home with his then girl-friend and family to London.
Barry replaced Bill on drums and The Trekkershow became a working three piece oufit. Shows at such places as Blackpool Opera House became deriguer. Never quite topping the bill but backing up as such to many established 'stars', Blackpool always did and want to supply the very best of showbiz attractions to a huge audience and these guys were a huge part of it!
'Dave would introduce himself as "Ventriloquist - Dave Tent - The-Bent-Vent"'.
A slick 20 minute comedy show twice nightly and several matinee's in the weekly Holiday season earned them a superb reputation at all levels of the business. Part of the act would see a small luggage trunk appear on stage and Dave would introduce himself as, "Ventriloquist-Dave Tent - The-Bent-Vent".
Opening the trunk and 'speaking' to the dummy inside it, out of it Dave manhandled Paul the Bass player. To the audiences astonishment Paul was now playing the finest dummy I've ever seen since Wigan's Eric Ashton wrong footed the entire Widnes team at Wigan's Central Park to score a wonderful try. Paul was small but not tiny and just how he fitted himself inside that trunk is anybody's guess?
Many winter and summer seasons saw them play extensively on the social club circuits and in and around the early 1980's they eventually called it a day. Paul Nichol moved in as compere at a local Preston Club and Mike Hurst went solo first and then in a duo later on... for many years after.
Bill Hart May 2010
PS: Sadly, Mike Hurst passed away a few years ago.

Dave Hall Mike Hurst Dave?: Paul Nichol
"Here is a promo' pic, circa 1966/67 passed to me by the band when I worked backstage the Bolton Casino club at that time."
Ken Hampson: October 2010
Crash
"As far as I know Mike Hurst & The Trekkers were the only group in Lankyland to have a 'roadie'. His name was Doug' Larby, a lovely man, he used to drive the van, set up the P A system and check the sound was okay. I know Bill Hart - Lanky Beat author - later joined
The Trekkers - but did they ever tell you Bill, about the time Dougie crashed the van?
I believe he went off the road down an embankment. The van rolled over and over Dougie came out with bumps and bruises but the van and the equipment inside, i.e. the amps, P A system and drums were a complete write off. The next day they rang the L.E. Agency and told them what had happend and said we are at Bolton Casinotonight; who are we on with? When they were told you are on with The PACT they said thank goodness for that because we know The PACT and they will let us use their equipment.
Paul Nicol and Dave Hall always kept their guitars with then so they turned up for the gig with just two guitars and a pair of drum sticks. They thanked us for letting them use our equipment but just before they went on stage. I said to Mike Hurst 'do you remember setting up your P A system for us at Wigan Casino and there was an almighty feed-back when the curtains opened?' He said, 'yes I do.' Then I said, 'well its pay-back time.' Mike said, 'oh no. What have you done?' I said, 'I've done nothing - I was just winding you up.'" Tony Bird: January 2011 |
THE
BLUE DIAMONDS
Wigan

New Pic: The Blue Diamonds perform at Belle Vue, Manchester in 1966.
Erick Johnson: Lead Guitar. Roy Davies: Drums. Ricky Parkinson: Rythmn Guitar. Jack Tyldsley: Bass Guitar. Ross Raynor: Lead Vocal.

Eric Johnson: Lead Guitar - Vocals. Ross Raynor: Lead Vocal.
Roy Davies: Drums. Jack Tyldesley: Bass - Vocals.
"The Blue Diamonds started life practicing in the barbers shop on King street, Wigan - Moot Hall - we then eventually got better and began taking bookings in youth clubs, weddings, partys, etc. Moving on to places like The Room At The Top - remember the stairs?, The Crawford Rooms, The Transport Club and Casino. The Wigan Emp'/Wigan.

We then signed for a Manchester Agency, which took us out of the Wigan area. Playing Ice Rinks up and down the country and clubs in and around Manchester and Liverpool, which also included playing at the world famous Cavern Club. They have a brick in the famous Mathew Street 'Wall of Fame'.

'In Paradise..'
After a couple of years we came back to work in Wigan as resident band at The Paradise Club in Scholes, a job we got through Billy Butler, D.J. at the Cavern Club - and now of BBC Radio Merseyside:
We stayed at The Paradise Club until 1967. We then got booked to go to Germany, but for some reason the contract fell through, so we all got proper jobs! - and went our separate ways. Ross found a successful solo career other members joined other bands, sadly Ross died a few years back.

An original pic of The Blue Diamonds at the Comet Youth Club, Wigan.
Jack Tinsley: Rhythm: Guitar - Later Bass: Ross Raynor: Lead Vocal.
Roy Davies: Drums. Ricky ParkinsonRhythm Guitar. Jimmy Hindley: Bass Guitar.
Eric Johnson: Lead Guitar.
It must have been the 1962 credit crunch when the six-piece band became four. It was taken I believe in the Comet Youth Club - How did we manage with that gear?
I remember getting the bookings in The Cavern for November-December 1963-64. Looking down the list we spotted a job near home, it was The Cavern Liverpool. At the time it meant nothing to us just another job in Liverpool. I can recall when we arrived at the club it was pouring down with rain and freezing cold. We then had to carry all our gear down the steepest set of stairs in the world through to what was loosely described as a dressing room. As I recall it was just a square room painted black with group names painted or scratched all over the walls with a broken mirror at one end, dim lighting with a wash basin at the other - I don’t think it was used for washing hands!.
We were told that because we had arrived first we would go on first. A mistake we didn’t make a second time. The other bands arriving after us would ask if they could use our gear or part of it, them not having to carry it down the afore mentioned stairs - a good move on their part.
On stage it was just a case of turn up the volume and do one tune after another. The place was packed and so hot. At that time we were kitted out in shirt and tie and blue suite's - what a big mistake that was. We came off stage after about forty minutes looking like we had jumped in and out the river Mersey.
On the bill that night were two other bands. I can’t remember one of the bands names but last on was The Big Three, so we couldn’t leave until they finished their set, to get our gear back. As I stated earlier we didn’t make that mistake again."
Looking back it is something to tell the kids and grandchildren I played drums at the now world famous Cavern Club. I didn’t think they would have believed me, but now I can prove it thanks to LANKY BEAT for showing the famous Cavern Wall of Fame bricks.
Roy Davies: May & August 2010 |
THE ARGYLE TRIO
Bolton
Alan Roscoe: Guitar. Pete Powell : Saxaphone. Bill Hart: Drums.
The 1970's pulled Bill out of the rock band era and in joining this function/wedding trio they played many different types of tradtional modern and old-tyme music for dancing along with some scraps of rock 'n roll..
"TAT seemed to earn as much as a three-piece as did my old five-piece band. Split three ways it was certainly more lucrative, but it wasn't the kind of music what I wanted to really play.."
Bill Hart: September 2010
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THE TRAKKERS
Wigan

L-R Austin Whittle: Rythmn Guitar. Mick Hannan: Lead Vocal. John Harrison: Drums.
Alan Dwyer: Lead Guitar. Lawrence Whittle: Bass Guitar.
"The Trakkers formed in 1962; all Hindley guys. Sadly only John Harrison drummer and Mick Hannen are still around. Highlight of the Group: Playing at The Cavern twice and on same bill as The Rolling Stones at New Brighton Tower Ballroom as part of the Realbrook Toplin Contest.
Alan Dwyer - lead guitar and Mick Hannen went on to form the group The Frenz who had in its ranks soon-to-be Ipso Facto's Michael "Mitch" Mitchinson along with Phil Maiden and Thurston "Jimmy" Hannon. The Frenz played many local venues but mainly played at The Room At the Top opposite the old Market Square bus station in Wigan. Remember them stairs?" Mick Hannen: June 2010
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BIG TOM &
THE COLORADOS
Wigan
Tom Pownall: Lead Vocal. Steve Lewis: Guitar. Kenny Fillingham: Guitar.
Slim Jim: Bass. Jimmy (Spider) Kelly: Drums
These lads were probably the best country music band around Wigan and district in the early eighties. They were very popular, commanding a full club wherever they appeared. Cracking country stuff that Big Tom could put over great.
I can remember 'Bar Stool Mountain' and 'American Trilogy'. Songs in which both Kenny and Steve produced fantastic guitar sounds together. They were superbly supported with solid bass and drums from Slim and Spider.
Spider passed away about five years ago with Big Tom following in the last twelve months.
The group went on to form Hocus Pocus and took on many forms of popular music to play until just recently.
Garry Hughes: May 2010
~ THE INVADERS
Wigan

Bob Pendlebury: R-I-P Broadway Guitar. Mitch Mitchinson:Antoria LG50 Guitar. Harry Walsh: Rosetti Lucky 7 Bass Guitar (Not lucky for him as he couldn't play it!). Terry Geoghan: Biscuit Tins. Later: David Hill: Real Drum Kit.
"Although technically I'm not sure if you could call us a group as none of us could play anything! There were three guitars and a speaker wired as a mike, all connected into a Fidelity Tape Recorder monitor-input. The drum kit was two biscuit tins. A glorious racket emerged.. and they say punk was invented the 1980's.. no, The Invaders invented it.
The Invaders were formed the week after seeing the wonderful Beat Boys at the Wigan Emp'. Small issues like.. 'none-of-us-could-play-a-note' were dismissed instantly as we headed off and bought our gear by any means necessary. We were allowed to practice in Sacred Heart Church's old dinner-hut in Springfield, Wigan - but not for long..
The only means of amplification was my Fidelity tape recorder which had a mic input. By pressing a button the sound came out. And what a sound !!!!!!!! I quickly found out that you could wire a loudspeaker backwards and use it as a microphone. So Harry took a speaker off the wall and we tied it to a high jump pole. Sorted!!! If you looked at him from the front all you could see were his legs and his head stuck into this speaker!!,
Everything, the guitars, bass and mics', speakers were all stuffed into one of those mighty Bulgin jack-plugs with terminal screws the size of saucers and then on and into the tape recorder. When we finally started 'playing' a glorious racket was issued forth from its tiny speaker. Was Punk invented in the 1980's? No way, we did it in 1963!!!. I remember an old guy who came into the hut while we were 'rehearsing'. He just stood there with his mouth agape, stared at us, then shook his head and left.
Sacked Terry was sacked early doors, even though he replaced one of his biscuit tins to a more robust one with a bagpipe player on the lid, it still sounded awful. We wanted a proper drummer 'cos it looked better, so in came David Hill with a drum kit. The big problem with him; he was a nutter! He quickly set about demolishing the hut!. We were soon kicked out in grand ole' style!!! Having no practice place saw The Invaders off, but I have happy memories of those times. Harry Walsh has started to play for real, and I have recently had the pleasure of working with him again. I had learned a couple of chords by the time The Invaders imploded and I was well into Bo Diddley by then. You could play his stuff all night with one chord; again, sorted! All I needed now, was a proper amp'. Mam? Have you got a minute? So Faces Tickets were born, but that - as they say - is another story.." Mitch Mitchinson: August 2010
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THE INCAS
Federal Five: The Streamers:
St Helens

John Grogan: Guitar - Vocal. Jed White: Lead Vocal. Terry Broughton: Guitar - Vocal.
Alf Anslow: Drums. Bob Martin: Bass Guitar - Vocal. Later: Martin O'Brian: Lead Vocal.

*Playing mainly Cliff Richard & The Shadows numbers at first, then adopting the beat. In doing so, The Incas became a popular local group at The Plaza Club, St Helens and city centre Liverpool ballrooms and clubs, which also included The Cavern Club.
Band members Alf Anslow and Bob Martin have both sadly passed away, Alf in 2001
and Bob in 1995. Terry Broughton: September 2010
~
"Do you know anymore about this band or any others?"
Then get in touch right away!
bill@lankybeat.com
08450 94 87 95
~
BACK TO HOME PAGE
TOP
R&B SQUARED
Leigh
1960

Drums: Anon. John Melling: Lead Guitar. Les: Lead Vocal.
Roland: Bass Guitar. Harry Thomason: Guitar.

Harry Thomason
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THE MINX
Wigan
Daryl Finch: Drums. Bev: Lead Vocal. Terry Rimmer: Rhythm Guitar.
Sam Bass: Bass Guitar. : Lead Guitar.
"The Minx were brilliant! Daryl Finch still plays I believe, in the social clubs. Only one of two clubs still using live backing. A very good drummer is Daryl. He backedThe Two of Us loads of times.
The singer was called Bev' and he was a sound-a-like for Mick Jagger. He had a square Reslo mic' -cool. The PA 'system' consisted of two Vox AC 30 amp's. 'Tall' Terry Rimmer on ryhthm with a tiny Burns Vista Sonic Guitar. I forget the lead guitar players' name but he used a Burns Black Bison. On bass guitar was Sam Bass, John Bass's Ipso Facto. Sam works in King Street, Wigan selling fireplaces. He used a Top Twenty Bass from F.W. Woolworth's and an Epiphone bass amp with a tiny eliptical speaker
I can just see them now a Room At The Top doing 'It's off the Hook' - a song made famous by The Rolling Stones. Mitch Mitchinson: Sept 2010
THE FIVE COMMANDMENTS
The Dollies: Lee Wade & The Wild Ones: Love trade:
Blackpool

Ron James: Rhythm Guitar. Ron 'Bow' Harding: Lead Vocal. Graham Barnett: Bass Guitar. Ieuan Griffiths: Drums. Phil Coggan: Lead Guitar
"I started playing guitar when I was about eleven and managed to save enough money as a deposit on a Watkins Rapier 33 from Bells of London. Shortly after I managed to get a Watkins Dominator amp.

Blackpool Conservative Club

The Five Commandments 2: Tony Harlett replaces Ron James on Rhythm guitar.
A group was formed and we played mostly Shadows instrumentals but later progressed to The Beatles and The Rolling Stones. The band started out as The Sabres and then to The Five Commandments.

My Guitar: 1965 Fender Regal by Harmony.
We played clubs and dance halls in South Wales. The bass players mum and dad owned the Victoria Hotel, Station Street, South Shore, Blackpool. We moved there in 1965 and established ourselves there as a R&B band. We played all over the North and had a good following with a fan club too.
After about a year I decided to move on, and I joined a band called Lee Wade & the Wild Ones, we played Small Faces, The Who, that type of music again all over the north and supporting lots of 'names' like The Pretty things, Paul & Barry Ryan, Tom Jones, The Byrds etc. etc.
We played Wigan's Room At The Top, Wigan Casino, Bury Palais, Bolton Palais, The Cavern, you name it.
Later on we joined The Dollies - Manchester - as backing band.


Jack Trelthall: Drums. Diane: Janet: Phil Coggan: Nick Gribbon:
Then we put together another band with two girl singers called The Love Trade. In 1966 I left with Nick Gribbon - now of Nick Unlimited - to replace Lemmy as lead guitarist with The Rocking Vickers - but that only lasted for a couple of gigs.
In 1967 I moved back to Wales and joined many bands playing heavy metal to blues. I finished gigging about eight years ago, I now have my own studio where I still keep my hand in..
Phil Coggan: August 2010
Nick Gribbon: Bass Guitar. Peter Haliwell: Drums - ex-Bruce & The Spiders.
Paul Harwood: Lead Vocal. Phil Coggan: Lead Guitar. Stuart McGarry: Rhythm Guitar.
THE LANCASTRIANS
The Heartbeats: Tommy Hart & The Heartbeats:
Barry Langtree & The Lancastrians:
Altrincham

Kevin Heywood: Lead Guitar. Barry Langtree: Lead Vocal
Terry Benson: Bass Guitar: John Fleury: Drummer
http://www.wildewebs.co.uk/lancastrians/
"In 1956 Kevin Heywood & Barry Langtree met at secondary school they were both learning to play guitar. Kevin invited Barry to his house to play and thats when it started. 'The Garage' was their first venue. The neighbours were not ready for 'The Heartbeats'.
They both watched 'The Six Five Special' to see what real players did. Eventually they learned the same three chords, when they put the guitars in the same pitch as well things sounded better. Time wore on, so did the patience of the neighbours but they got good and soon found a bass player and drummer then a singer.
The group became 'Tommy Hart & The Heartbeats' and did a few radio gigs. Eventually the bass player and the drummer were changed to Terry Benson and John Fleury, Tommy Hart left and the name was changed to 'Barry Langtree & The Lancastrians'. The Manager said; 'We would have to have bigger billboards to fit it on.' Instead, the letters got smaller so much to the relief of Barry his name was taken off.
They made TV and summer shows, winter clubs followed and this was important to complete their 'apprenticeship'. At those venues they met many top stars of the day, some are still massive e.g. Tom Jones, Engelbert Humperdinck, Cilla Black, Moody Blues and many more.
Eventually they were introduced to Shel Talmy, a record producer involved with The Kinks, The Small Faces, The Who, The Ivy League and was responsible for helping the British Invasion of America. Shel was their A & R man and produced all their six singles. He also brought in Jimmy Page to session with them on 'Was She Tall' and 'The World Keeps Going Round' - NOT -''We'll Sing In The Sunshine'' as specified by some people.
Nicky Hopkins (pianist) played on two tunes and can be heard clearly on both. Nicky was called 'The Fifth Rolling Stone' and would insist on being hidden from view because of his shyness.
The record's never made it as hits, just memories.
Going to Germany on tour was 'the straw that broke the camels back', after returning with less money than they went with and then asked to tour France for six months they said, 'No Thanks'. By instruction of the group, a meeting with Shel was arranged and the group decided to disband - not as published on CD covers.
During 2001-2004, the band reformed, reuniting Barry, Kevin and Terry, along with ex-session musician Steve Wilde on drums."
Mike Wilde: August 2010

The Lancastrians 'Brick' in The Wall of Fame

Barry Langtree, Kevin Heywood & Terry Benson are
joined by ex-session drummer Steve Wilde.
"I remember well The Lancastrians! They had a 'biggie' with 'We'll Sing In The Sunshine' around 1964-65."
Mitch Mitchinson: August 2010
"John Featherstone of The Chuckles and I work in a band now called The Chevrolets."
Steve Wilde: August 2010
~
THE PUPPETS
Bob Johnson & The Bobcats: The Rebels: Three-D:
Later Don Parfitt: Keyboards - Vocal.
Preston

Dave Millen: Guitar - Vocal. Des O'Reilly: Drums - Vocal. Jim Whittle: Bass Guitar.

*With PYE Records they cut quite a few tracks from popular song of the time like Money, Zip-A-Dee-Doo-Dah and Little Bitty Pretty One. Backing many well- known artistes of the day in Billy Fury, Brenda Lee, The Ronettes and in Gene Vincent tours to Scotland and Germany on the Star Club band circuit. 1966 saw them as Chrispian St. Peters backing band playing many English dates including The Cavern Club Liverpool with C.S.P singing his huge hit: 'You Were On My Mind'.
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THE MERSEY FOUR
Little Gene & The Outlaws: The Mersey Five: Tony Prince Combo:
Tony Carlton & TMF: Tony Carlton & The Merseyboys:
Southport

Ray Marshall: Bass Guitar - Vocal. Tony Nelson: Guitar - Vocal.
Pete Campbell: Guitar - Vocal. Carl Riche: Drums.
The Mersey Four were a hugely appealing outfit from the Merseyside area where the band mostly played. Various personelle line-ups emerged with one such making a tour of Germany in 1964. With Decca Records they made an LP of Beatles covers getting good reviews and it sold quite well at the time.
*Information produced from 'The Sound With The Pound'.
A book by Manfred Kuhlmann: September: 2010
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BRUCE HARRIS
& THE CAVALIERS
Lankyland
Michael Anthony Jenion - better known as Tony Jenion
- was the drummer with Bruce Harris & The Cavaliers
"I am currently trying to put together a scrap book of pictures and other bands he worked with for our family history. I know he did play at the Cavern, more than once I think, although I am not 100% sure. As we are in Australia, its a little difficult to get to the areas he worked in with the bands. These were Wigan, Leigh, Warrington, Manchester etc."
If you have anything that you can share with me, information or links to other sites which maybe helpful I would really appreciate it."
Kind regards
Tammy Augostin: September 2010Contact
info@newliine.com
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THE ADDICTS Rocky Stone & The Pebbles: The Cadillacs: Michael Henri Group:
Widnes
Dennis Keeley: Drums. Paul Nash: Bass Guitar - Vocal.
Steve Duggan Lead Guitar - Vocal, Geoff Keeley: Rhythm Guitar - Vocal.
A top pioneering group in Widnes who toured the national circuit as professionals and played just the once at the Cavern Club in 1964. Decca signed them producing a 45 Geoff Keeley
self-penned single. Still fondly remembered by the locals of the day.
"Do you know anymore about these bands or any others?"
Then get in touch right away!
bill@lankybeat.com
08450 94 87 95
www.newliine.com » For Ads etc
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